The twenty-five artists in Overthrown: Clay Without Limits took on adventurous challenges to make the works in this exhibition. Most were made especially for Overthrown and many are in direct dialogue with our dynamic Daniel Libeskind-designed architecture; they move beyond the pedestal to the wall, the floor, and even the ceiling. A few extend beyond the Anschutz Gallery, across the entire museum complex. They break boundaries that are physical, technological, conceptual, and spatial.

Bedford Lemere & Co. was the leading architectural photography company of the late 19th and early 20th centuries. In business from the 1870s until the 1940s Bedford Lemere and his son Harry Bedford Lemere pioneered professional architectural photography and set the standards for others to follow.

First staged in 2003, the London Design Festival is one of the world's most important annual design events. The nine-day Festival programme is made up of over 200 events and exhibitions staged by around 160 partner organisations across the design spectrum and from around the world.

The Museum of Modern Art and MoMA PS1 present Holding Pattern by the New York architecture firm Interboro Partners, the winning design of the 12th annual Young Architects Program (YAP), on view through September 19, 2011.

New York and Amsterdam are exploring their long-term futures. Each city is affected by shifting demographics, changes in climate, energy transitions, and global economic patterns. They share extensive waterfronts, a strong entrepreneurial spirit, and a long tradition of international collaboration and cultural diversity.

100% Design hits the ground running in September with The Director's Cut, a select group of British based designers and manufacturers showing a chosen product for the first time at 100% Design. You will see how designers are forging the way with precision technology and manufacturing as so skillfully presented by BarberOsgerby with their Tip Ton chair for Vitra, a rare example of how to design a stacking rocker.

On the occasion of the 100th anniversary of the Fagus Factory and its nomination as a UNESCO World Heritage Site, the Bauhaus Archive is presenting the exhibition "Focusing the Modern: The Fagus Factory photographed by Albert Renger-Patzsch" from June 22 to August 29, 2011. Renger-Patzsch was a protagonist of New Objectivity. His photographs of the building complex designed in 1911 by Walter Gropius in collaboration with Adolf Meyer, which were produced for advertising purposes, have had a strong influence on its image and reception.

In celebration of the 200th anniversary of the Manhattan Grid, Mapping the Cityscape focuses on the ways in which mapping influences our perception of the environment. Historically, cartographers created maps to document the built environment to ease navigation and ensure the safety of both city dwellers and travelers. With developments in desktop publishing, mapmakers were empowered with tools to create diagrammatic and interpretive maps that conveyed more layers of information.

The Venice Biennale, which has its offices in Ca' Giustinian (San Marco, 1364/A), has for over a century been one of the most prestigious cultural institutions in the world. Ever since its foundation in 1895, it has been in the avant-garde, promoting new artistic trends and organising international events in contemporary arts.

This year’s 5th edition of Lodz Design starts on October 20th, 2011. During the past four years the Festival has evolved from a local event consisting of several exhibitions, into the biggest such Festival presenting a wide range of Design in Poland. Owing to well-known experts, international visitors and guests participating in the Festival, it became renowned worldwide. The time that has passed since the first edition also allowed to clearly define the Festival’s character and structure.